Prada Spring 2012 Campaign by Steven Meisel
I don't have to tell you I love them, check out my review of the collection, and it should be self explanatory.
Showing posts with label prada. Show all posts
Showing posts with label prada. Show all posts
Tuesday, December 20, 2011
Tuesday, October 4, 2011
In + spi + red = Lindsey Wixson by Terry Richardson for Purple Magazine
Lindsey Wixson by Terry Richardson for Purple Magazine
Saturday, September 24, 2011
A Substance in a Cushion = Prada Fall 2011 Campaign
A SUBSTANCE IN A CUSHION.
The change of color is likely and a difference a very little difference is prepared. Sugar is not a vegetable.
Callous is something that hardening leaves behind what will be soft if there is a genuine interest in there being present as many girls as men. Does this change. It shows that dirt is clean when there is a volume.
A cushion has that cover. Supposing you do not like to change, supposing it is very clean that there is no change in appearance, supposing that there is regularity and a costume is that any the worse than an oyster and an exchange. Come to season that is there any extreme use in feather and cotton. Is there not much more joy in a table and more chairs and very likely roundness and a place to put them.
A circle of fine card board and a chance to see a tassel.
What is the use of a violent kind of delightfulness if there is no pleasure in not getting tired of it. The question does not come before there is a quotation. In any kind of place there is a top to covering and it is a pleasure at any rate there is some venturing in refusing to believe nonsense. It shows what use there is in a whole piece if one uses it and it is extreme and very likely the little things could be dearer but in any case there is a bargain and if there is the best thing to do is to take it away and wear it and then be reckless be reckless and resolved on returning gratitude.
Light blue and the same red with purple makes a change. It shows that there is no mistake. Any pink shows that and very likely it is reasonable. Very likely there should not be a finer fancy present. Some increase means a calamity and this is the best preparation for three and more being together. A little calm is so ordinary and in any case there is sweetness and some of that.
A seal and matches and a swan and ivy and a suit.
A closet, a closet does not connect under the bed. The band if it is white and black, the band has a green string. A sight a whole sight and a little groan grinding makes a trimming such a sweet singing trimming and a red thing not a round thing but a white thing, a red thing and a white thing.
The disgrace is not in carelessness nor even in sewing it comes out out of the way.
What is the sash like. The sash is not like anything mustard it is not like a same thing that has stripes, it is not even more hurt than that, it has a little top.
-Gertrude Stein
The change of color is likely and a difference a very little difference is prepared. Sugar is not a vegetable.
Callous is something that hardening leaves behind what will be soft if there is a genuine interest in there being present as many girls as men. Does this change. It shows that dirt is clean when there is a volume.
A cushion has that cover. Supposing you do not like to change, supposing it is very clean that there is no change in appearance, supposing that there is regularity and a costume is that any the worse than an oyster and an exchange. Come to season that is there any extreme use in feather and cotton. Is there not much more joy in a table and more chairs and very likely roundness and a place to put them.
A circle of fine card board and a chance to see a tassel.
What is the use of a violent kind of delightfulness if there is no pleasure in not getting tired of it. The question does not come before there is a quotation. In any kind of place there is a top to covering and it is a pleasure at any rate there is some venturing in refusing to believe nonsense. It shows what use there is in a whole piece if one uses it and it is extreme and very likely the little things could be dearer but in any case there is a bargain and if there is the best thing to do is to take it away and wear it and then be reckless be reckless and resolved on returning gratitude.
Light blue and the same red with purple makes a change. It shows that there is no mistake. Any pink shows that and very likely it is reasonable. Very likely there should not be a finer fancy present. Some increase means a calamity and this is the best preparation for three and more being together. A little calm is so ordinary and in any case there is sweetness and some of that.
A seal and matches and a swan and ivy and a suit.
A closet, a closet does not connect under the bed. The band if it is white and black, the band has a green string. A sight a whole sight and a little groan grinding makes a trimming such a sweet singing trimming and a red thing not a round thing but a white thing, a red thing and a white thing.
The disgrace is not in carelessness nor even in sewing it comes out out of the way.
What is the sash like. The sash is not like anything mustard it is not like a same thing that has stripes, it is not even more hurt than that, it has a little top.
-Gertrude Stein
Friday, September 23, 2011
Sac + cha + rine = Prada Spring 2012 for Milan Fashion Week
Funny fickle thing the fashion world is at times and at others, it's as in-sync as a team of synchronized swimmers (funny swim caps and all).
For Spring 2012, designers went a few different ways, and whether they like it or not they went there together. One direction down the fashion yellow brick road for spring lead to defining saccharine through fashion design. I've been explaining throughout the week how I find the sudden use and application of this word quite intriguing. The Milan Fashion Week Prada Spring 2012 runway show and the following reviews were yet another saccharine way the world turns round.
Miuccia Prada explains to Vogue, “I was terrified, I wanted to take on the taboo of sweetness, which is one of the greatest qualities in women. But if you are not aggressive, too? How can that work, for a woman?”.
Sweet and girly don't usually coincide with power dressing, however, I think Miuccia Prada has finally found a happy medium that lets girls be girls without it being detrimental to their intellect. Here you see that the models, although still the 6 foot androgynous type of the "industry", are dolled up in an unapologetic kind of way. They have hot rods printed on their baby pink frocks and flames air brushed onto pleated skirts but they don't seem the demure supportive girlfriend type. In other words, these girls aren't just the ones sitting with pom-poms on the sidelines or sitting in the passenger seat, they're the ones driving.
Miuccia Prada explains to Vogue, “I was terrified, I wanted to take on the taboo of sweetness, which is one of the greatest qualities in women. But if you are not aggressive, too? How can that work, for a woman?”.
Sweet and girly don't usually coincide with power dressing, however, I think Miuccia Prada has finally found a happy medium that lets girls be girls without it being detrimental to their intellect. Here you see that the models, although still the 6 foot androgynous type of the "industry", are dolled up in an unapologetic kind of way. They have hot rods printed on their baby pink frocks and flames air brushed onto pleated skirts but they don't seem the demure supportive girlfriend type. In other words, these girls aren't just the ones sitting with pom-poms on the sidelines or sitting in the passenger seat, they're the ones driving.
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